Async is your first major work in eight years. Was there anxiety about returning after such a long pause? The pressure I had was that the album would be the first one in eight years, which is almost a decade. Conditional Restoration Drivers License Ncl on this page. Only one album in a decade means if I live for another 10 years, there will be only one other album. That would be it! I was nervous about that. But you know, musically or creatively, I didn’t have any pressure on me.

I was going to make an album in 2014, the year I was diagnosed with cancer. I canceled everything, and then two years later, I started making this album, and I decided to forget everything and dump everything I had at that point. I wanted to start from scratch, because I was the closest to death I’d been in my life.

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This was an important experience, and I wanted to dig into that experience. I wasn’t trying to reflect this experience onto my music, but naturally there might be some reflection of this severe experience. Generally, I dislike the process of making music based on a blueprint or purpose or aim. If I was an architect, I would be a bad one, because I don’t like having blueprints. Of course, without blueprints, nobody knows what the building will be. But that’s exactly what I like to do. I shouldn’t know what I’m making, or what it will be.

I want to make something I don’t know, and that I’ve never done or never known. Hopefully, for me, it’s going to be a surprise, and a new experience. Are there certain systems or techniques you go back to, or are you reinventing the way you approach music each time? I try not to repeat what I’ve done in the past. I’ve been trying very hard to do something new each time, for years.

I studied Western music for a long time, ever since I was 10 or 11. I started taking piano lessons when I was six years old, and I also did composition techniques and the history of different styles from Baroque to contemporary music. For this album, I tried to forget everything I’d learned. I had to invent for each track, each piece, everything. But I was open to a track being something very similar to a style or a form that existed in the past. The Secret Il Libro Pdf Cruel. For example, a track I was making sounded like a Beethoven sonata, which is okay. I didn’t want to control myself.

I wanted to let the music be. Over the years your music has gotten quieter and more spacious.

Is this just how it’s coming out, or is it intentional? It has been getting less dense since maybe 2000. For composition and for performance, for playing, too.